Category: Watercolour paintings

A tree on INPRNT.com and a promo code

I’ve just finished a rather large pen and ink and watercolour of an antarctic beech; those magnificent Gondwana relics, which I am blessed to live in the same state as. I have a collection of photos of two rather old trees in particular from several different pilgrimages. Unfortunately that still wasn’t enough for a faithful reproduction of either tree, so my tree is a mish-mash of the two.

The Keeper – pen and ink with Payne’s grey watercolour on 300 gsm hot press paper

From today until Sunday, 18 July I’m offering a 5% discount on all my giclĂ©e, canvas and acrylic prints from INPRNT.com. INPRNT offers high quality products using archival ink on high quality heavy paper. They also offer free shipping for applicable products. Use the promo code 9TK8XD for 5% off prints in my store.

Forest time

Most of my time at the moment is consumed with a fairly large mixed media piece I’m working on. I haven’t had much time for sketchbooks, so I thought I’d share some progress pics on the piece instead.

The first image is the pen and ink sketch which probably took too many more days than it should have to complete. In the second image I’ve started laying down the first layer of watercolour, mostly washes with a little bit of deeper shading, trying to get the greens of the moss right against the dull grey/green of the bark and the blue/grey of the stones. It’s a pretty ambitious piece, and a bit of a gamble as I’m trying new techniques and strategies to achieve the results I’m after.

The painting isn’t based on a reference photo or a real place; rather it is a medley of scenes from my mind’s eye, collected from years of staring at pictures of megaliths and trees, two of my favourite subjects. I saw the scene as I was drifting off to sleep one night. The next day after I’d prepared the board and paper, I started mapping out in pencil where the stones lay and the larger trees were situated. Ordinarily I sketch out thumbnails digitally and then print them to be transferred to watercolour paper. This scene was already written in my mind and I felt like I knew it well enough to go straight to paper. I still have many more hours of work to do as I attempt give the painting the substance and depth I see in my mind’s eye.

Moonlit portal

Following is painting I did last weekend on a whim, including the ink rendering and then with watercolour over it. It was a good exercise in not overdoing the ink when I know I’m going to paint. I wanted to create more depth with watercolour rather than have the pen and ink do all the work.

Note: this isn’t based on a location from the real world; it exists in my own imagination. Some of the fun is inventing the rest of what is “off-screen”, like a prompt for story tellers.