A couple of years ago I started a box for small art, which I intended to fill with postcard-sized pieces of art. Unfortunately I shelved it after I became deeply involved with half a dozen codex-style sketchbooks. Recently I was going through my paper supplies and found (too many) small scraps of Bristol and watercolour paper filed in various document envelopes. I remembered the box and decided to re-establish the project in order to make use of the scraps and other art supplies.
This format makes an interesting alternative to traditional sketchbooks, especially if you want to be able to sort the cards later.
Some other advantages:
as previously stated, it’s great for making use of all smaller scraps of paper
it’s not limited to one type of paper or medium, or lower quality paper
more diversity in the size and style of the box, as well as the size and number of cards
the option to spend as much or as little as you want on the paper
the ability to discard pieces you don’t like, or give away, sell or frame individual pieces without fear of destroying the binding of a sketchbook
the ability to spilt the collection and choose to keep some pieces private, and share others
there are almost unlimited possibilities
I’ve given myself the task of filling the box with as many small pieces of art as possible, using all the art supplies I have. Even though it looks like I’m obsessed with plants, this is not going to the the theme of the box . . . or maybe it will? I’m not going to decide that. Instead, I’m going to let it be what it will be. That’s my motto for Creativity in 2021.
Due to a minor injury I haven’t been in my studio/office much this week, but as long as I have a trolley of art goodies, some blank pages, a steady supply of coffee, and a comfy armchair, I’m still able to create. It’s hard not to.
These are uncomplicated pages, nothing that can’t be accomplished with fineliners or fountain pens and coloured pencils. The paper is only 80 gsm and the notebook was reasonably priced, but there are advantages to this. I find I have less hesitation because the notebook itself didn’t cost a king’s ransom. I don’t have a particular plan for this notebook except that to give it to my daughter because she loves these sorts of things and it’s a great way to communicate with her on the things that are important to me.
I don’t keep traditional diaries for a few reasons – my handwriting is unlovely, I don’t enjoy chronicling key moments of my life and I lack the discipline to maintain them since I already have enough projects. But I do love to art and I do think it’s important to do this as a shared experience with my daughter as a sort of conversation with her. This style of journal is a kind of compromise. I think the thing I love the most about this style of journal is there are no rules, and the urge to be a perfectionist is greatly reduced. As much as I try not to strive for perfectionism in my practice sketchbooks, I’m regularly frustrated that pages don’t come out looking like I’d envisaged. In this one I’m not troubled by the idea of perfect design and aesthetic. Of course I want the pages to be at least a little bit pleasing, but it’s the content and the act of creation that counts the most, those are the things I want to be important.
Sometimes I need to paint something that doesn’t require much investment of time or effort. I do this to avoid the habit of fussing with a painting, if I want to practice techniques or I’m working out a scene for a specific project. A good way I’ve found is to do postcard sized paintings of imaginary places. These are places with untold stories, which I used as an art prompt to create the three paintings below. It turns out it’s a lot of fun and they’re great for exercising creativity, especially if I’m feeling stuck or lazy. If it doesn’t work it’s not really a big deal because I’ve used minimal paper and paint. The only rule is to avoid spending too much time on each piece. I succeeded with the first two paintings, but ended up spending too much time fussing with the third, which is also larger than a postcard. Still, it was fun and I can see I still need to practice loosening up.
In Australia, if we want to avoid being swooped by mobs of magpies in breeding season, we make friends with them. One way to do this is to feed them. While I don’t think they actually see us as friends, they do remember humans who are kind to them. As such no one in my house has been swooped by magpies, not even my dogs. And this seems to extend for quite a large area around my house.
Not everyone agrees that feeding them is a good idea, as there is a concern it could change their natural behaviour, make them dependent on humans, or risk their health with inappropriate food. Personally, I think the ship has sailed for the “natural behaviour” argument. Humans have so changed natural habitats that it would be naive to expect their behaviour won’t change too. As for their diet isse, we don’t feed them anything they wouldn’t normally forage for themselves and they still spend 90% of their time foraging naturally. Magpies know how to be magpies after all.
Magpies are successful in Australia precisely because of their ability to form cooperative relationships and to adapt to new situations. They’ve weathered some hard times and will again. Being such clever birds, I don’t think Maggie’s are in any danger of losing their ability to forage any time soon. Since Magpies live in the same territory for their whole lives, some of the birds that visit my home have been here at least long as I have (14 years) and see me as part as their landscape. They’ve seen the same shrinking of habitats and increase in the number of humans, cats and dogs and road traffic as I have during the past decade especially. But they didn’t complain. They changed their behaviour and they are resilient. I’m happy to be a magpie enabler.
So in honour of maggie’s, today’s prompt is resilience. Here’s my entry:
For today’s art prompt I chose basil and garlic. They both lend themselves nicely to stippling in pen and ink, a favourite technique and medium, plus I wanted to try something new (new to me anyway) and felt two illustrations would be better than one. Stippling is time consuming and requires a lot of patience, but it can also be meditative and rewarding to see the image come to life. I like the meticulousness of stippling, but I didn’t want to spend days making thousands of little specks; so with the pieces below I decided to go light on the stippling and add some colour with watercolour to see if it would work. I found that by laying down the stippling first it acted as a restraint to stop me overworking the darker tones in watercolour. I quite like the resulting illustrations and, in fact, these took less time using the two mediums than I would normally spend on just stippling in ink or painting in watercolour.
commitment – keep doing it often. Even if it’s not as pretty as you’d like, don’t give up;
carry on – Fill the sketchbook, stow it away somewhere safe and grab a new book or piece of paper.
But sometimes inspiration is lacking and it becomes an excuse to get lazy. So to keep myself accountable to a sketchbook habit I’m going to post daily prompts and share my journey. I hope some of these prompts inspire you too.