It’s a cool and rainy Easter weekend here in south-east Queensland. Perfect days for soup, sketchbooks, reading and getting cosy with canines. Each day I try to add a little more to one of my many sketchbooks. Most of them are themed; they all have purpose, and much of the time my mood dictates which one/s gets attention.
This weekend I’ve been working on more ferns and a visual journal for word association doodles. More on that once I have a few more pages to show.
In the meantime here are three more pages from the fern visual journal.
I’m a huge fan of ferns and sketchbooks in equal measure, but I am often hesitant to draw or paint ferns as they can be quite delicate and complex, not to mention diverse. I recently started a new pen and ink drawing involving ferns, but was finding my lack of confidence was a barrier to progress. So, to better understand my subject and boost my confidence, I decided to start (yet another) sketchbook, this time just for ferns. It’s a somewhat daunting task as there are more than 10,000 known species of fern worldwide. I’m not going to draw them all in one lifetime, let alone fit them all in a single sketchbook, but that’s not really the point. The point is to sketch to understand. The process of filling a sketchbook or journal with a focused subject requires a great deal of reading and research, staring at specimens and then (hopefully) rendering a reasonable facsimile on paper. They don’t have to be botanically precise or detailed, as it’s more an exercise in developing my visual library. To ease in to fern drawing I decided to start with some of the more primitive forms, excluding horsetails, as seen below.
Above is the first full page of a Paperblanks Flexis notebook (Midnight Rebel Bold flavour). The paper is exquisitely smooth and takes fineliners and coloured pencil very well. There is some tolerable ghosting, but no bleed through (the paper is 100 gsm), at least with fineliners. These plants are part of the same class of plants that include maidenhairs, silver lady’s and black tree ferns. One page in and already the limit of my knowledge has been exposed.
If it isn’t obvious from the page of trees in pen and ink that I love trees, my tree sketchbook will leave you in no doubt. I have one sketchbook devoted just to sketching trees in pen and ink, mostly using a fountain pen with black or grey permanent ink, and occasionally Copic fineliners, or with a bit of colour added from India ink brush pens. I enjoy the process of finding the shapes and forms of different species, experimenting with ways of reproducing all the different types of bark texture, practicing rendering leaf-clumps to see what works best for and honing my observation skills. Every species is different and feels like a new experience, so I never get bored of rendering trees.
Since I live in the subtropics, there isn’t an abundance of deciduous trees, which are among my favourite, so I have to rely on photographs for practice. If I ever want to draw a eucalyptus or paper bark, I need only look out my living room window, or walk a few minutes to the nearby park and creek. Here there are koalas, though they’re difficult to spot let alone draw from nature, bearded dragons, which rarely stay still long enough to sketch, turtles, flying foxes and all manner of birds. But, being that it it’s now winter, it’s cool and windy and the ground is wet from a recent shower, so today I’ll stay at my desk and find nature on the net.