It’s a cool and rainy Easter weekend here in south-east Queensland. Perfect days for soup, sketchbooks, reading and getting cosy with canines. Each day I try to add a little more to one of my many sketchbooks. Most of them are themed; they all have purpose, and much of the time my mood dictates which one/s gets attention.
This weekend I’ve been working on more ferns and a visual journal for word association doodles. More on that once I have a few more pages to show.
In the meantime here are three more pages from the fern visual journal.
I’m only on the second two page spread, but already I’m thinking this might be a multi-volume project. There is so much to learn. Sketching ferns is time-consuming, even for the less complex leaves, but very enjoyable and quickly becoming a favourite side project.
I’m a huge fan of ferns and sketchbooks in equal measure, but I am often hesitant to draw or paint ferns as they can be quite delicate and complex, not to mention diverse. I recently started a new pen and ink drawing involving ferns, but was finding my lack of confidence was a barrier to progress. So, to better understand my subject and boost my confidence, I decided to start (yet another) sketchbook, this time just for ferns. It’s a somewhat daunting task as there are more than 10,000 known species of fern worldwide. I’m not going to draw them all in one lifetime, let alone fit them all in a single sketchbook, but that’s not really the point. The point is to sketch to understand. The process of filling a sketchbook or journal with a focused subject requires a great deal of reading and research, staring at specimens and then (hopefully) rendering a reasonable facsimile on paper. They don’t have to be botanically precise or detailed, as it’s more an exercise in developing my visual library. To ease in to fern drawing I decided to start with some of the more primitive forms, excluding horsetails, as seen below.
Above is the first full page of a Paperblanks Flexis notebook (Midnight Rebel Bold flavour). The paper is exquisitely smooth and takes fineliners and coloured pencil very well. There is some tolerable ghosting, but no bleed through (the paper is 100 gsm), at least with fineliners. These plants are part of the same class of plants that include maidenhairs, silver lady’s and black tree ferns. One page in and already the limit of my knowledge has been exposed.