I feel like I have’t had too many good art days lately – those days where reality comes close to meeting expectation; when more things go right than go wrong with a piece of art; where you can put down the pencil, pen or brush and be satisfied, even a little bit happy, with the marks on the paper. This is probably because I generally prefer do a lot of detailed art and am always pushing myself to refine and achieve a certain level of work. But art, like most things in life, can become unfulfilling when the frustrations outweigh the positive outcomes. (I hesitate to use “failure” and “success” here as they are both subjective).
Here’s the wonderful thing about the creative mind though: it’s incredibly flexible. There are no parameters save for the ones we set ourselves. With that in mind, I decided to set aside my very limiting expectations, and just have fun. The only rule was that the process was more important than the outcome.
Below are three postcard-sized bits of art that didn’t turn out as expected, but I like them anyway. Mostly my goal was to test some new watercolour paint, use up some scraps of paper and jog my creativity. I had some idea of what I wanted to achieve, but decided it was best to remain flexible about the outcomes. Initially, the top card was meant to be some sort of watercolour blob creature in watercolour, to which I was going to add pen and ink on top. It ended up being a bunch of weirdly misshapen critters that I didn’t know were there. You have to love the brain’s ability to detect patterns in chaos. I especially like the gorilla on the trike on the far right.
The second card was going to be a blob bee, but ended up being a blob-hippo-rabbit-thing. I can also see a rhino-rabbit-thing. Finally, the card on the left was always meant to be a rainbow lorikeet, inspired by the noisy many around my neighbourhood at the moment. I was going for an even more loose looking blobikeet, so I didn’t expect it to look like a bird, much-less a lorikeet. I don’t mind how any of them turned out; they were never meant to be accurate or detailed, rather just a chance for some creativity that didn’t demand much input from the inner over-thinker.
I had a good art day. It was playful, enjoyable and pleasantly surprising. A good art day happens not when my art expectations are met, although those days are important too, but when I accept the unexpected.
Most of my time at the moment is consumed with a fairly large mixed media piece I’m working on. I haven’t had much time for sketchbooks, so I thought I’d share some progress pics on the piece instead.
The first image is the pen and ink sketch which probably took too many more days than it should have to complete. In the second image I’ve started laying down the first layer of watercolour, mostly washes with a little bit of deeper shading, trying to get the greens of the moss right against the dull grey/green of the bark and the blue/grey of the stones. It’s a pretty ambitious piece, and a bit of a gamble as I’m trying new techniques and strategies to achieve the results I’m after.
The painting isn’t based on a reference photo or a real place; rather it is a medley of scenes from my mind’s eye, collected from years of staring at pictures of megaliths and trees, two of my favourite subjects. I saw the scene as I was drifting off to sleep one night. The next day after I’d prepared the board and paper, I started mapping out in pencil where the stones lay and the larger trees were situated. Ordinarily I sketch out thumbnails digitally and then print them to be transferred to watercolour paper. This scene was already written in my mind and I felt like I knew it well enough to go straight to paper. I still have many more hours of work to do as I attempt give the painting the substance and depth I see in my mind’s eye.
Following is painting I did last weekend on a whim, including the ink rendering and then with watercolour over it. It was a good exercise in not overdoing the ink when I know I’m going to paint. I wanted to create more depth with watercolour rather than have the pen and ink do all the work.
Note: this isn’t based on a location from the real world; it exists in my own imagination. Some of the fun is inventing the rest of what is “off-screen”, like a prompt for story tellers.
Sometimes I need to paint something that doesn’t require much investment of time or effort. I do this to avoid the habit of fussing with a painting, if I want to practice techniques or I’m working out a scene for a specific project. A good way I’ve found is to do postcard sized paintings of imaginary places. These are places with untold stories, which I used as an art prompt to create the three paintings below. It turns out it’s a lot of fun and they’re great for exercising creativity, especially if I’m feeling stuck or lazy. If it doesn’t work it’s not really a big deal because I’ve used minimal paper and paint. The only rule is to avoid spending too much time on each piece. I succeeded with the first two paintings, but ended up spending too much time fussing with the third, which is also larger than a postcard. Still, it was fun and I can see I still need to practice loosening up.
In Australia, if we want to avoid being swooped by mobs of magpies in breeding season, we make friends with them. One way to do this is to feed them. While I don’t think they actually see us as friends, they do remember humans who are kind to them. As such no one in my house has been swooped by magpies, not even my dogs. And this seems to extend for quite a large area around my house.
Not everyone agrees that feeding them is a good idea, as there is a concern it could change their natural behaviour, make them dependent on humans, or risk their health with inappropriate food. Personally, I think the ship has sailed for the “natural behaviour” argument. Humans have so changed natural habitats that it would be naive to expect their behaviour won’t change too. As for their diet isse, we don’t feed them anything they wouldn’t normally forage for themselves and they still spend 90% of their time foraging naturally. Magpies know how to be magpies after all.
Magpies are successful in Australia precisely because of their ability to form cooperative relationships and to adapt to new situations. They’ve weathered some hard times and will again. Being such clever birds, I don’t think Maggie’s are in any danger of losing their ability to forage any time soon. Since Magpies live in the same territory for their whole lives, some of the birds that visit my home have been here at least long as I have (14 years) and see me as part as their landscape. They’ve seen the same shrinking of habitats and increase in the number of humans, cats and dogs and road traffic as I have during the past decade especially. But they didn’t complain. They changed their behaviour and they are resilient. I’m happy to be a magpie enabler.
So in honour of maggie’s, today’s prompt is resilience. Here’s my entry:
For today’s art prompt I chose basil and garlic. They both lend themselves nicely to stippling in pen and ink, a favourite technique and medium, plus I wanted to try something new (new to me anyway) and felt two illustrations would be better than one. Stippling is time consuming and requires a lot of patience, but it can also be meditative and rewarding to see the image come to life. I like the meticulousness of stippling, but I didn’t want to spend days making thousands of little specks; so with the pieces below I decided to go light on the stippling and add some colour with watercolour to see if it would work. I found that by laying down the stippling first it acted as a restraint to stop me overworking the darker tones in watercolour. I quite like the resulting illustrations and, in fact, these took less time using the two mediums than I would normally spend on just stippling in ink or painting in watercolour.